Best of Svek label

George Palladev 2.11.2020

Best of Svek label

There was a time in the history of the Swedish label Svek when, at the end of the 1990s, its music began to change and move away from minimalism and techno towards deep and Balearic house with real trumpeters, flautists and saxophonists who created holiday music that didn’t depend on the season: a soft summer mood with cracking frost or a pleasant soundtrack for a break in a small rocky village by the sea under cypress trees.

Stephan Grieder, the founder of the label, deliberately invited the masters of the hard Scandinavian scene to create melodic music. “The scene and the market here is about banging techno, but our policy isn’t about what the market expects, it’s about having a certain direction and sticking with it. If you do good music eventually people will start to notice. The way we make our music is the same as the way we run our labels, it’s low profile. There’s too much fashion in musiс and that’s because the majors are involved and all they want is money. They don’t give a shit about the culture. We’re long term with the music, not long term for the money.”

Some of the guests of the hour-and-a-half mix today are techno DJ Jesper Dahlbäck and the drum and bass legend Seba, who was taking a break from broken rhythms in Sweden in the early noughties, having organised the Sunday Brunch band with Dahlbäck. Their full-fledged album became one of the last releases by Svek, after which the 30-year-old founder of the label considered his mission accomplished and went into art. And we were left with these sparkling diamonds.